Mature female with spectacles, red hair and colourful shirt, standing against red wall.

I am a Finnish/English writer living in London.

INDEPENDENCE is my first novel; part fiction, part love-letters, part memoir. It is a story in three parts, about three generations of Finnish women –– grandmother, mother and daughter. Their fight for personal independence parallels the struggle of Finland to free itself from Czarist and Soviet-era Russia and is based on real events in the lives of my family, from 1918 to the present day.

INDEPENDENCE will be available in bookshops 28th August 2024, published by Troubador. Ebook edition available now.

My background is in TV production, as producer and director. I am co-writer of RED TREES (2017) a feature-length documentary produced by Cohen Media. I wrote and produced the award-winning short film RIVER CROSSING (2006) and have an MA in Creative Writing (Narrative Non-Fiction) from City University (2010).

Below, the three voices of INDEPENDENCE –– Grandmother, Mother and Daughter:

Grandmother AINO

Hand-coloured portrait photograph of a young female from c.1925.

My sin is cooking.

I cooked soup and broth and stews and pies for my brothers and their friends at the Red House, but mostly, I cooked soup. With a bit of imagination, you can turn almost anything into soup.

The Red House was the centre of life in the village, always with meetings and speeches and arguments. Or else parties and drinking sessions and arguments. There were angry words and even fist fights, but there were laughs as well. The comrades put on plays. One time, they built a big doll, or maybe it was a puppet, of wire and paper. It wore a top hat. The comrades painted it and called it ‘Boss’. They put it on trial and found it guilty. Then they marched it out into the yard and burned it. That was before everyone got serious and started keeping a count of who had a gun and who didn’t.

Mother SALME

Commercial black and white studio portrait of a smiling young woman, c.1945.

I am alone with a heavy suitcase, following the signs described to me, on a dirt road that leads into dense woodland.

Toivo described the walk as a mere fifty metres, but this seems to go on for ever. There is snow on the ground and more is threatening overhead. The road narrows here and becomes deeply rutted. Heavy lifting vehicles lean in ditches at the side of the path. After threequarters of an hour, in darkness and with the temperature falling rapidly, I reach a log-timbered building.

He’s not there. In his place I find a mess-room full of foresters, eating, drinking or dozing around a wood stove after a day cutting, planting and hauling wood, some wary and others delighted to see a bedraggled woman barge unannounced into their all-male den. The room stinks of men and cigarettes.

I ask for Toivo and get blank stares. I ask for Topi and get guffaws and knowing looks. I describe a tall dark Finn with big hands and they laugh and hold out their hands for inspection, each one huge and calloused and in some cases recently bloodied. Two men have missing fingers. I ask for something to eat and someone dishes out a steaming bowl of soup. A worker named Erik slaps me on the back and tells me to eat up. I bolt the soup and when I finished, I rest my head on my bag in a corner of the room and fall into a deep sleep.

I wake to silence and absolute darkness. I can feel a warm body breathing next to mine. I sit bolt upright and stare into the dark, suddenly afraid.

‘Erik?’ I ask.

‘Who’s Erik?’ asks a shadow.

Daughter LEENA

Black and white family snapshot of a young girl squatting on stony ground, clutching a plastic doll and grimacing in bright sunlight, c.1960

I became familiar with water from an early age.

I learnt to relish the cold shock, followed minutes later by the slow adjustment of skin to surrounding liquid. The colder the water, the longer I take to adjust. The effect lingers as I emerge into air and experience a coolness that remains deep inside my bones. An early morning swim, naked in a lake, is a dive into myself. In water, I am a wave. I am free.

See RIVER CROSSING, a short film based on Leena’s childhood, directed by Marina Willer and produced by Leena Telén:

River Crossing

"I’ve been a fan of Leena Telén’s writing for years, and envy those coming for the first time to her blend of observational sharpness, warm-hearted wisdom, honesty and wit.  In telling the story of one family, with all its troubles, loves and adventures, she also opens up for us the troubles, loves and adventures of twentieth-century Finland itself. A wonderful book!"

— A recent quote from prize-winning writer Sarah Bakewell (author of Humanly Possible; At The Existentialist Café: Freedom, Being, and Apricot Cocktails and How To Live: A Life in one question and twenty attempts at an answer):

"This first novel for the author really weaves the stories of the three women and the nation of Finland together in a beautiful, not to be forgotten page turner!"

— A quote from a NetGalley reviewer

"will grip you with its mighty strong hands and won’t let you go until you turn the very last page."

— A quote from Kimberly F, NetGalley reviewer

"Independence emphasizes the significance of intergenerational transmission and collective healing, illustrating how these women’s struggles are both personal and shared."

— A quote from Cent magazine by Andrea Severac

Latest News

‘Independence’ is now available from our local bookseller PAGES of Hackney, in Lower Clapton!

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